There’s an urban myth that men are commitment-phobes when it comes to marriage. If this were true, then why do so many of Hollywood’s brides have cold feet? If I had to guess, it’s probably because most lead women wake up moments before walking down the aisle realizing they are about to get married in order to meet societal expectations – don’t be alone, marry for security, it’s what everyone else wants, your ticking biological clock, all your friends are doing it, it’s not cool to be a cat-lady, etc., etc. – as opposed to a bride marrying for herself and to be with a person she truly loves. I would like to think those runaway brides are sticking it the Wedding Industrial Complex or those icky societal expectations, but the reality is their journey usually ends with another relationship and less self fulfillment. Here’s a list of Hollywood’s ten classic runaway brides and what their feminist (or unfeminist) epiphany was after they said, “F%^& it, I’m running…”
The Graduate (1967) – “Mrs. Robinson are you
trying to seduce me?” Dustin Hoffman plays a recent college graduate suffering from summer listlessness and ambivalence to what is expected next of him in life. This enables his middle-aged neighbor, Mrs. Robinson, to ensnare him in a emotionless affair. Hoffman finally awakens to realize that he wants more out of life and love after meeting Mrs. Robinson’s daughter, Penny. Mrs. Robinson becomes jealous of her daughters youth and Hoffman’s change in affections, sending her daughter into the same lifeless marriage she has been forced to suffer. Hoffman rescues Penny from her nuptials in a not so subtle attempt to save them both from the life of their parents.