Many fear taking the plunge. They wonder what if he or she is not the one or if they can afford to get married or worry that if Brangelina can’t make it than who can? Four seniors from The School of Visual Arts literally dive into these questions and fears with their senior thesis film, Taking The Plunge.
Jenny’s Wedding (2015): When I saw Katherine Heigl in yet another wedding/rom com movie, I rolled my eyes. What other type of Wedding Industrial Complex and women-are-only-valuable-if-they’re-in-a-relationship shenanigans is she getting into this time?
In Netflix’s new docuseries, Chelsea Does, comedian and former talk-show host, Chelsea Handler does marriage in the first episode. The only problem is that Chelsea can’t find anyone to do her until death do they part. Absent groom aside, she’s not sold on the idea of a wedding and sets off to discover what the big deal is about weddings and being married.
Ever wonder what Disney princesses would be like if they were placed in their correct times in human history? This video reverses all the Princesses’ Fairy Godmother’s work and reverts them back to reality. And it turns out it ain’t all songs and furry animal sidekicks, like how Jasmine would have been a lot more covered up due to strict religious mores. The video asks, “Did they live happily ever after?” but doesn’t answer the question directly other than showing the stark reality between the women’s fantasy lives and real life ones. However, I’m reading Stephanie Coontz’s Marriage, A History and it seems unlikely that they lived happily as few women in these periods had any civil and social rights. Until the 19th century few women were allowed to get an education or retain any type of power, except over a household. And forget about their knights in shining armor, these women barely got to choose whom they married and loving them was generally out of the question. Husbands usually controlled their lives and the finances too, even if through a dowry, she was the wealthy one. They could even legally beat their wives, and cheating was generally accepted. Reality gives a glimpse as to why perhaps these princess fantasies were appealing…
There’s an urban myth that men are commitment-phobes when it comes to marriage. If this were true, then why do so many of Hollywood’s brides have cold feet? If I had to guess, it’s probably because most lead women wake up moments before walking down the aisle realizing they are about to get married in order to meet societal expectations – don’t be alone, marry for security, it’s what everyone else wants, your ticking biological clock, all your friends are doing it, it’s not cool to be a cat-lady, etc., etc. – as opposed to a bride marrying for herself and to be with a person she truly loves. I would like to think those runaway brides are sticking it the Wedding Industrial Complex or those icky societal expectations, but the reality is their journey usually ends with another relationship and less self fulfillment. Here’s a list of Hollywood’s ten classic runaway brides and what their feminist (or unfeminist) epiphany was after they said, “F%^& it, I’m running…”
No one does irreverent women’s culture better than Amy Schumer on her Comedy Central show, Inside Amy Schumer. Now we can enjoy her hutzpah on the big screen with the movie, Trainwreck (in theaters July 17). Not only did she write this film, but she’s starring in it too. Chock one up for underrepresented women in Hollywood! While it seems Trainwreck might be another chick flick rom-com, the trailer shows Amy acting more like the unattainable, detached guy which hopefully breathes some fresh air into this exhausted genre.
Happy Feminist Fashion Friday! You are about to discover the wonderful and edgy web-comedy, Modern Women by Chelsea Devantez and Emily Walker! Coming to us via The Second City Network, Chelsea and Emily navigate how complicated it is to dress whatever way you want – while not getting street harassed – while honoring that feminist class from college you took. Watch and enjoy!
This short animation, Sidewalk (2013) by filmmaker, Celia Bullwinkel will touch the hearts of all the ladies out there. I thought this animation did a great job depicting the often too public stages of personal change, both physical and mental that women experience throughout their lives. And it even put its two cents in regarding street harassment. There’s a happy ending though as the heroine passes on her own life lessons of loving yourself!
An awesome group of Hollywood women gathered at a roundtable discussion with The Hollywood Reporter. Mindy Kaling (The Mindy Project), Emmy Rossum (Shameless), Zooey Deschanel (New Girl), Edie Falco (Nurse Jackie), Taylor Schilling (OITNB) and Kaley Cuoco (The Big Bang Theory) spoke openly about the backhanded compliments people often give to actresses. Though I will argue that every day folk hear similar things all the time. So kudos to these women for putting it out there and calling BS.
Thank goodness for Joseph Gordon-Levitt and the people at hitRECord for stepping up to the plate for feminism! JGL is one of those rare instances of men coming forward and identifying as a feminist. (Sorry ladies, there’s no real word on whether Ryan Gosling is an actual feminist. The Feminist Ryan Gosling memes were made as study notecards.)
Not only is JGL explaining why he thinks it’s just plain common sense as to why he’s a feminist and why the world needs it, he’s calling out others who feel like they don’t (#WhyIDon’tNeedFeminism). He also wants to encourage other feminists to come forward and share their ideas on the topic or any topic on their minds really.
hitRECords is a new type of production company that looks to connect thought-provocateurs, writers, artists, musicians or anyone else looking for a creative outlet to team up and create art! If I know feminists, I know we have a lot to say and we definitely love having conversations and collaborating with people on it. So watch the video below and find how you can get involved!
The Big Wedding (2013) – A dynamic family converges for the weekend for a family wedding. Like all typical wedding movies, hijinks ensue because no one wants to be honest about themselves or their sex life. Though to be fair to the movie, there’s a lot of scandal that you don’t see coming. As one character aptly put it – it’s like watching a telenovela. It does sport a strong cast: Diane Keaton, Robert De Niro, Susan Sarandon, Robin Williams, Amanda Seyfried, Katherin Heigl, which makes it pleasant to watch. Though without giving away too much it’s easy to guess that in The Big Wedding, the big lesson in the end is that honesty is always best. Director: Justin Zackham
As a kid the best part about Disney princesses was watching the sassy, beautiful princess go on an adventure, defeat the bad guys and fall in love. As a teenager, I loved collecting all my well used VHSs and searching for the hidden sex scenes (the only undeniable one was in The Little Mermaid, which probably only exists on the VHS version now). As an adult, I still enjoy Disney movies but, as a feminist, I need that bottle of wine as my spoon full of sugar to soften those misogynistic blows in technicolor. Graduate school and my romps in feminism hasn’t ruined Disney, but I swallowed that blue pill. I woke up to their sexist reality and Cinderella will just never be the same (which is why, unlike my childhood, I will probably raise the kids on Hayao Miyazaki (Spirited Away, Howl’s Castle).
To be fair, Disney is slowly getting better. The last few Disney princess movies have not ended in marriage. This winter’s Frozen was probably the most progressive in implying that a women’s value is not in her amorous relationship. And it’s misunderstood villain, Elsa reiterates that neither do women have to sacrifice their interests or subdue their personality to get a man. (Though Frozen is not socially perfect, it was awfully white…and I’m not talking about the snow.)
If you’ve missed the gender evolution of Disney movies and were totally unaware that Belle had a verbally abusive relationship with the Beast or that the Cinderella and Snow White could only escape domestic drudgery if they married. Luckily, you can still enjoy the imaginativeness of Disney despite its magic spell being broken with the fun viral videos by the AV Byte Brothers that let’s women know, “Why keep on assuming men will save the day, I can be a hero, and do it my own way…I am fine the way I am, I don’t need a man.”
The Five Year Engagement (2012) – I might be two years behind writing this review, but it still puts me ahead of Tom (Jason Segel) and Violet’s (Emily Blunt) own ill-fated nuptials. As you can guess the movie is about the quirky mishaps that can easily set young fiances off the marriage track. In the land of comedic rom-coms, FYE holds more character and relationship substance than most. High feminist fives for addressing the complicated politics of managing two ambitious career-driven partners in an egalitarian way! And kudos to writer’s Segel and Nicholas Stoller for opting to put the lady’s career first. I haven’t seen that done in the movies since Father of the Bride II. I also haven’t seen such a weird sex scene involving lots of condiments and deli meat before. And to top it off, they settle their marriage woes with the most endearing and heartfelt f^$%# off to the wedding industrial complex in the end (you’ll have to watch it to understand). There’s even a female proposal (the last one by my count was in Leap Year with Amy Adams and contrary to what you might think holds very few feminist values). If you’re looking for a good feminist flick on weddings, this one is great and if you’re just into fun movies, it also sports an incredible lineup of talented comedians. (Subjects: Engagements, Wedding Planning, Marriage, Jobs) Director: Nicholas Stoller
For More Related Stories on Wedding Planning:
Wedding Planning: Motivating the Mister
Video: How to Take Out Your Wedding Planning Aggression Elsewhere
In the saccharine land of rom coms, plots can be trite, characters undefined and sappy sweet endings all too predictable for most movie goers. And the worst part is that they are usually geared towards women. No one wants to watch the same movies with the same formulas. If you’re like me, you’ve been looking for something different, endearing and more in touch with reality.
That’s where Obvious Child (2014) comes in by writer and director, Gillian Robespierre. Unlike rom coms being about getting the boy or choosing love, Obvious Child is about what a woman chooses for herself – in this case, an abortion. It follows Brooklyn comedian Donna Stern (Jenny Slate) who gets dumped, fired and pregnant just in time for the worst/best Valentine’s Day of her life. The best part about the film’s description is that it focuses on the nature of the Donna’s choice and how after everything, she ends up all right.
For my bachelorette party in Las Vegas, we participated in some typical bachelorette events. Some of us went to see The Thunder Down Under at the Excalibur and some instead went to go see…John Stewart. Whatever floats your sexy boat. Another night many of us went to see Cirque du Soleil’s Zumanity. Here is my best way to describe Zumanity – half Vaudeville humor, half erotica show with the typical Cirque du Soleil acrobatics but with stripper poles. We all enjoyed the show, it was tastefully, well balanced between the love scenes, the star crossed lover story lines, the flying trapeze boobies and the sexy cheerleader who was twirled around by the grip of her teeth. However, we were most impressed with the pole dancing moves. They literally defied gravity.
When Harry Tries to Marry (2011): As a result of his parents divorce, young Harry believes arranged marriages are the only way to have a successful marriage. Straight out of college he rushes to employ a matchmaker, gets paired with a very nice match and goes about planning his wedding. Except amid a long-distance relationship… life and love unexpectedly happen. Harry is left to decide between his hardcore beliefs and the natural path that is laid before him. The movie ends on a really good lesson; that life and love cannot be rushed in youth, inexperience and impatience. Time is one of most important assets we can give ourselves. (Subjects: Marriage, Love, Arranged Marriages) Director: Nayan Padrai
Bachelorette (2012): The Hangover and Bridesmaids, this movie, is not (but it tries really hard to be). Despite featuring actresses and actors I really enjoy and my doppleganger, K. Dunst, there’s little brilliance they could bring to this script. To start, this is a good example of how good-hearted humor goes much farther than mean-spirited humor and there was a lot of the later in the movie. From making fun of the bride for being fat, calling strippers skanks, and calling bulimics messed up in the head just to name a few feel-good gems, it got really good with the profuse use of calling just about everyone the C-word. Then there was the scene that pretty much encouraged one groomsmen to take advantage of an inebriated bridesmaid. And he should get over his moral anxiety by taking a Xanax so he can take advantage of the drunk girl who was G.T.G. (good to go). There was one redeeming moment when the bridesmaids start arguing with a strip club doorman about how misogynistic it is for women to need a male escort in order to enter the premises, but that was short-lived. I’m all for raunchy comedy, but the degenerate humor just came off as…degenerate, unlike its predecessor movies that managed to take off-color comedy and make it fun and clever. Director: Leslye Headland
Blurg! Everyone’s favorite fictional feminist got married last night on NBC’s 30 Rock. What kind of wedding does career-oriented Liz Lemon have? Well, it did not involve ham and other delicatessen treats, jorts or sun pee to toast the newlyweds. What it did involve was awesomeness served up with some midnight cheese on top and some sweet Tony Bennett on the side.
The Decoy Bride (2011) – A familiar tale brought to the big screen of a larger-than-life Hollywood star trying to marry outside the prying eye of the paparazzi. Think covert Hollywood wedding meets Knotting Hill minus Julia Roberts, meets the biblical story of Jacob and Raquel hidden behind a veil with a dash of Scottish flair. A local girl is used as a bridal decoy for the Hollywood star and accidentally marries the groom for real (played by Dr. Who, David Tennant). Shenanigans ensue and the unlikely couple run around trying to find the missing starlet and get an annulment only to realize there is a spark between them. While finding and identifying true love is the main focus of the movie, I found the characters and their small island life to be the most enriching aspect of the film. Watch for the completely endearing dance scene between the deaf and elderly husband and wife, it will melt your heart. Director: Sheree Folkson
Muriel’s Wedding (1994): Yet another movie that revolves around Abba (someone please explain the Abba/Wedding phenomenon) but set in Australia. This movie is what one would expect the adult follow up to Welcome to the Dollhouse would be like. Muriel is awkward, talentless, painfully unfashionable and dateless. As the movie unfolds it becomes apparent that Muriel’s obsession with weddings and marriage stems from being surrounded by an unsupportive network of friends and family. Until she breaks away from her hometown via theft, does her life begin to change for the better when she meets Rhonda Epinstock. As Muriel pulls her life together she begins to relinquish her attachment to Abba and weddings, though when things sour it all goes terribly wrong. In the end she learns that marriage and a wedding is not the solution to her problems nor will give her value. Despite the painfulness and awkwardness of its characters and storyline, there are some really good lessons about our obsession with weddings and marriage worth paying attention to. Subject: Wedding, Marriage, Abba. Director P.J. Hogan.
Love and Mary (2007) – Mary, a bakery entrepreneur, is faced with the eviction of her business. She decides to fly home with her fiance to collect engagement party money in order to save her business. Her fiance bails at the last minute and she brings his brother as a fake replacement. Without giving away the movie, what struck me the most is that Mary, assertive enough to save her business, seems to be a bit passive in her own feelings. She’ll put decorum and promise over her feelings. Overall, it’s an enjoyable movie with a quirky cast of characters. Director: Elizabeth Harrison (Subject: Money, Love, Weddings)
Mystic Pizza (1988) – Julia Roberts first break out role (no, Pretty Women was not the first) in what would be a long career of romantic films. Set in Mystic, CT three strong, local girls struggle with finding love, navigating the bedroom, their future and breaking from their provincial townie existence. Despite class struggles, forbidden affairs and feeling trapped, the girls at the end of the day find solace and comfort in each other and pizza. The break out feminist moment comes in the end, when one girl finally commits to marrying the love of her life but only on the condition that she keep her name. (Subject: Relationships, Sex, Identity, Friendship)
The War Bride(2001) – Set during World War II, Lily marries a Canadian soldier. She quickly becomes pregnant and moves to Canada to live with her in-laws as part of a save the war-brides campaign. A sassy, fashionable city-Londoner, she finds herself in the plains of central Canada on a farm, severely out of her element and amongst hostile in-laws who find her UK style foreign, too sexual and think her marriage was a ploy to get her out of war-torn Europe. Not knowing whether her spouse is alive, she struggles with being a wife and a mother in a foreign land. (Subject: Marriage, War, Women) Director: Lyndon Chubbuck
Ready or Not (2009) – With the Hangover coming out in the same year, its hard to say which movie came first but they are exactly the same except this one is less humorous. The groomsmen use an over-the-top bachelor party to kidnap the groom to Mexico a week before his wedding. Everything starts going terribly awry from jumping out of a crashing plane to angering a mobster, from getting put in jail to being put in front of an execution squad. The question of the movie is is the groom ready to leave his bros behind for marriage? (Subject: Groomsmen, Groom, Bachelor Party, Comedy) Director: Sean Doyle
Love, Wedding, Marriage (2011) – Mandy Moore plays a marriage therapist whose whole belief in marriage is based on her parent’s relationship. When it falters she panics and spirals into mishap as she tries to repair it; only she begins to neglect and abuse her own new marriage. The movie is an interesting look at how our love of the marriage sometimes blinds us from understanding we need to actually work on it. (Subject: Marriage, Love, Relationships, Health) Director: Dermot Mulroney
The Buccaneers (TV mini-series 1995) – If you like romantic period pieces this series is for you. The Buccaneers is the last novel written by Edith Wharton of four young American girls with “new” money that spend a season in England in the hopes of finding rich, aristocratic husbands. The girls are successful but their stories unravel as being married and someone’s wife reveals a much more sordid and unsatisfying life than they had been lead to believe. How the girls cope with obligation, expectations of their sex and class and love is worth a watch. (Subject: Marriage, Etiquette, Love) Director: Philip Saville
The People I’ve Slept With (2009) – We’ve seen many a male character own the spoils of an active sex life, and when the main character Juliet pulls a Samantha Jones it’s exciting to see a female character finally own her sexuality on par with a man and without social ramifications. Except then she gets pregnant and has no clue who the baby-daddy is. Suddenly, Juliet tailspins into an emotionally abusive, self-reflective state of how could she have been so slutty and irresponsible? Not once does the movie turn the table onto the men who are equally responsible for the embryo and it reverts to a pro-life stance and the age mindset that a woman can’t be sexually free without being promiscuous and irresponsible. BS. (Subject: Sex, Pregnancy, Double Standards, Relationships) Director: Quentin Lee
The Romantics (2010) – Seven friends gather over the weekend for the wedding of two of their friends, except the Maid of Honor is still in love and sleeping with the groom (Josh Duhamel). The dysfunction of the friends unfolds during the course of the night revealing that everyone is everybody’s muse in body, mind and soul, thus complicating the existing relationships. The poignant moment is in the end when the Maid of Honor (Katie Holmes) confronts the bride (Anna Paquin) moments before she’s to walk down the aisle. Begging the question would you have the guts to tell someone the truth before they made a mistake? What would you do if you were the bride? Director: Galt Niederhoffer (Subject: Wedding, Friends, Affairs)
For more Feminist Bride Movie Reviews click here.
It’s important to think about how women in relationships and in marriage are portrayed too! Wives are often pitched as nags and ragged or sexy trophies. Brides are crazy, weight obsessed, vain control freaks. Miss Representation – OFFICIAL MOVIE TRAILER – Sundance Film Festival 2011 – YouTube.
Ah, I can’t wait to see this! And I can’t wait to write all about it, stay tuned.
27 Dresses (2008) – A young women (played by Kathering Heigl) has always been a bridesmaid and never a bride, but the lucky owner of 27 hideous bridesmaid dresses. While the movie is a classic, predictable rom-com and Heigl’s character tends to be a pushover when it comes to the wishes of needy brides, she never manages to attend to her needs (and love life). The movie is a good look at the obscene financial commitment and dedication bridesmaid devote to their engaged friends, but also how totally vain and based in consumerism it can be as well. Director: Anne Fletcher (Subject: Bridesmaid, Consumerism, Love, Money, Vanity, Clothes)
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Whether or not you’re a feminist, you should know the name “Gloria Steinem.” Even if you are a woman and think you don’t agree with feminist politics, your respect is still needed. Feminists, like Steinem, fought for the rights for you have to disagree with them. That thanks, however, is often never said.
HBO is airing a documentary on the Ms. magazine founder, Gloria Steinem: In Her Own Words, that explores her early years to her ones as the face of feminism. It airs August 15th.
The Graduate (1967) – “Mrs. Robinson are you
trying to seduce me?” Dustin Hoffman plays a recent college graduate suffering from summer listlessness and ambivalence to what is expected next of him in life. This enables his middle-aged neighbor, Mrs. Robinson, to ensnare him in a emotionless affair. Hoffman finally awakens to realize that he wants more out of life and love after meeting Mrs. Robinson’s daughter, Penny. Mrs. Robinson becomes jealous of her daughters youth and Hoffman’s change in affections, sending her daughter into the same lifeless marriage she has been forced to suffer. Hoffman rescues Penny from her nuptials in a not so subtle attempt to save them both from the life of their parents.
I Do & I Don’t (2007) – A couple undergoes marriage counseling from a dysfunctional married couple. The ‘never have I ever’ games played within the sessions sends the young couple into spiraling doubt as to whether or not they get married. Ultimately, despite multiple uncomfortable nude scenes, overbearing parents, infidelity and sexual harassment by the counselors, the young couple realize that marriage and love is about embracing the perfection and imperfection in our relationships and partners. Director Steve Blair. (Subject: Marriage, Relationships, Comedy)
An Affair to Remember (1957) – I had only heard of the movie, An Affair to Remember, through the quintessential romance movie of the 90’s, Sleepless in Seattle. Rosie O’Donnell and Meg Ryan cry over the sentimental romance – how love can suddenly find you, change your life and just as quickly disappear under unfortunate circumstances. And I will admit, I didn’t understand (like the guys in that film) what the big deal was…until now.
Wedding Weekend (2006) – A seven-man college a cappella group is brought back together, fifteen years later, to sing at the wedding of one of their friends. While practicing for their big performance, the guys realize that they each lack harmonywith themselves, as friends and with their spouses. Things crescendo as hijinks ensue, ultimately resulting in a rock bottom note. The singers finally realize that life, relationships and marriage can’t be worked out if you’re sitting in the audience. To harmonize, you have to join in and sing the right notes. (Subjects: Men, Marriage, Relationships)
The Groomsmen (2006) – A wedding movie about the emotional roller coasters caused by the life changes a wedding can bring. What makes this movie interesting is that the stereotypical drama doesn’t come from an anxious bride or crazy bridesmaids, but from the groom and his groomsmen. Each guy deals individually with the change a wedding and marriage can cause – from more responsibility, from children to infertility issues, to accepting ones sexuality and to letting go of one’s glory days. Director Edward Burns does a good job of giving gravitas to each issue. I only wish when it came to similar women’s film, they were given the same luxury instead of being frequently portrayed as irrational drama queens. (Subjects: Grooms, Wedding, Life)
Having turned 18 at the birth of the Sex and the City era, college and adulthood came at a time when sexual expression and alcohol could be worn like Girl Scout badges, proudly and with accomplishment. It was the best of times (that I could remember) and the worst of times (that were gladly hazy). The graduates of the millennium celebrated leaving the sophomoric comedy of American Pie and blissfully embraced the gratuitous ass shots of Will Ferrell. And just as quickly as we got on “double-secret-probation” in college,” we just as quickly matriculated from it. Now working stiffs and pissed off about having $160,000 in college debt, Judd Apatow appeared to ease our pain with raunchy and outrageous humor.